Showing posts with label Paranormal. Show all posts
Showing posts with label Paranormal. Show all posts

Thursday, April 18, 2019

Another...Reading Round Up!

I'm feeling that it's time to do another reading round up! I've read several books over the past few months that I haven't blogged about. Perhaps because they're already established/well-known, I liked  them but didn't really feel like doing a blog on them, or I just was too busy.

Red Clocks by Leni Zumas

Visual Description: "Red Clocks" in a minimal white calligraphy font. Behind it is a flat, red diamond prism in various shades of red. It is a geometric symbol of the opening of a vagina. It reaches all the way up the top and bottom of the cover. Written in the same calligraphy font but in  yellow around the shape is :  "National Bestseller" across the top, Leni Zumas (Leni on one side of the top of the diamond, Zumas on the other). Bottom left 'A Novel' and on the other side a description "Strange and lovely and luminous. I loved RED CLOCKS with my whole heart - Kelly Link'. 
"Five women. One question. What is a woman for? In this ferociously imaginative novel, abortion is once again illegal in America, in-vitro fertilization is banned, and the Personhood Amendment grants rights of life, liberty, and property to every embryo. In a small Oregon fishing town, five very different women navigate these new barriers alongside age-old questions surrounding motherhood, identity, and freedom. Ro, a single high-school teacher, is trying to have a baby on her own, while also writing a biography of Eivør, a little-known 19th-century female polar explorer. Susan is a frustrated mother of two, trapped in a crumbling marriage. Mattie is the adopted daughter of doting parents and one of Ro's best students, who finds herself pregnant with nowhere to turn. And Gin is the gifted, forest-dwelling homeopath, or "mender," who brings all their fates together when she's arrested and put on trial in a frenzied modern-day witch hunt." - Nabbed from the Goodreads Blurb

I read this a few months ago - both reading it and listening to its audio-book. It was around the time that I was withdrawing from The Handmaid's Tale (the show) finale. It is a book that I would suggest to anyone who appreciates The Handmaid's Tale, for sure. But, unlike The Handmaid's Tale, the reality that is written in Red Clock's is far, far closer to our world. I find The Handmaid's Tale uncomfortable for it's closeness to our current political and social climate. Red Clock makes Handmaid's Tale feel more close to the world of The Hunger Games than ours. Scary. But, thought and feelings provoking. 

I refrained from blogging about it because I just didn't quite vibe with the writer's tone. I also had some problems with the characters. The Wife seemed extraneous to me. As for the writer's voice - I felt she was specifically taking on a masculine tone to prove something. I'm not sure. But, it didn't feel authentic. Mildly posing? I think this book would be great for a male reader and it's not surprising that The Punisher's Jon Bernthal tweeted his book love for 'Red Clocks'. It seems like JUST the book to reach through to the mind of a guy who inhabits Frank Castle so easily. 

The problems addressed in the plot are real and reaching. I thought the conclusion was satisfying and the decisions (from my fading memory of the plot) made by the characters were in-character and understandable. 

My personal opinions on writers tone and character placement wouldn't be everyone's reaction. That is why I'm starting this particular Reading Round up with it. It's a strong book and worthy of throwing out there as a book suggestion. 


A Discovery of Witches by Deborah Harkness


Visual Description: A mystical, midnight cover. The background is in shades of midnight blue and darkness. The nighttime sky with light esoteric circle symbols with lines drawn to each other etches in front of it takes up 80% of the background. The lowest bottom part is a nighttime cityscape (probably London). The title is in large white slightly older feeling font in the center of the cover. Above, in simple straight font is "DEBORAH HARKNESS", below that in a smaller yellow font : "1 New York Times Bestselling Author of Shadow of Night and The Book Of Life"
"Deep in the stacks of Oxford's Bodleian Library, young scholar Diana Bishop unwittingly calls up a bewitched alchemical manuscript in the course of her research. Descended from an old and distinguished line of witches, Diana wants nothing to do with sorcery; so after a furtive glance and a few notes, she banishes the book to the stacks. But her discovery sets a fantastical underworld stirring, and a horde of daemons, witches, and vampires soon descends upon the library. Diana has stumbled upon a coveted treasure lost for centuries-and she is the only creature who can break its spell." - Nabbed from the Goodreads Blurb.

A Discovery of Witches quickly falls into the category of "It's already so well known and has been for a long while, I felt redundant and late in the game in blogging about it". However, the love I have for this book and the two books that come after it in the All Soul's Trilogy is VERY real and I can't help but share it here. 

Vampire romance is not a ground-breaking genre. It's not even a genre that has ever really gone out of style. It's been around and will always be around. Even when you go through the inevitable post-Twilight detox and can't imagine ever reading another vampire fiction again - you still find yourself intrigued by the premise. But, alas, some (a lot) of vamp fics out there are...horrible, lazy, trope-ish, and wrought with mary-sues. A Discovery of Witches does not at all fall into that category. 

It is so intelligent, emotional, and refreshing. Marrying science and copious amounts of luxurious history and the metaphysical into a tale with it's own original lore that resides in our own normal, mundane world so easily that it's curious to imagine it's legitimate. Diana is a convincing, refreshing heroine and while I had some annoyances with the male lead - he was swoon worthy and original. Diana has a history, interests, passions, and personality traits. So does Matthew (male vampire lead). 

A Discovery of Witches reminds me a great deal of Outlander. Mostly because the author is a historian who actually found a long lost alchelmical manuscript in the Bodleian Library in Oxford - just like her main character. She draws on her vast education and experiences and passions to weave the tale. The story is mature, deeply intelligent, intense and sexual (but doesn't stray too far into Anne Rice territory). Very Gaboldon-esque of her, right? 

The next two novels in the trilogy hold up and I loved everything about it. Also - it was adapted into a TV show and can be found on Sundance or Shudder. Season 1 covered A Discovery of Witches, Season 2 looks like it will jump right into the second novel. While the show was great and I'm tempted to do a book-to-screen post about it, I must insist that you read the books first. 

Because they are awesome. Super, duper awesome. And I just typed 'super, duper'..and you know what? I'm going to leave it there. 

A Strange, Scottish Shore by Juliana Gray


Visual Description: This is a illustrated cover with the artwork heavily featured and explanatory of the premise. A dark haired woman in a gray, plain Victorian-esque travelling attire and a gray hat with a ribbon ta the back is standing on a grassy rise with her back turned to the viewer, two suitcases in her hand, and the wind pulling back her neat hairdo and hat ribbons. She is looking towards a castle on a cliff on the sea, the ocean shore calm in front of her, a small boat moored on the beach. Clouds build in the background but the day is clear and the sun is setting. The title in simple, old-tymey print features at the top "A Strange Scottish Shore'. At the bottom is the author's details in large and small white fonts "Juliana Gray", "Author of A Most Extraordinary Pursuit". And a small quote clip in black font where the shore is detailing "A heroine worth rooting for. - Deanna Raybourn, New York Times bestselling author." 
"Scotland, 1906. A mysterious object discovered inside an ancient castle calls Maximilian Haywood, the new Duke of Olympia, and his fellow researcher Emmeline Truelove, north to the remote Orkney Islands. No stranger to the study of anachronisms in archeological digs, Haywood is nevertheless puzzled by the artifact: a suit of clothing, which, according to family legend, once belonged to a selkie who rose from the sea in ancient times and married the castle’s first laird. But Haywood and Truelove soon discover they’re not the only ones interested in the selkie’s strange hide, and when their mutual friend Lord Silverton vanishes in the night from an Edinburgh street, the mystery takes a dangerous turn through time, which only Haywood’s skills and Truelove’s bravery can solve…" - Nabbed from the Goodreads Blurb

OK SO THIS BOOK WAS SO GOOD I DIDN'T REALIZE IT WAS THE SECOND IN A SERIES UNTIL I WAS HALF WAY THROUGH IT. And I have, alas, been unable to procure the first one without purchasing it and I have too many books on my TBR list to justify buying it. 

This came up for me when I looked up 'selkies' in my library's app search. I love selkies. I think they are a deeply under-rated fantasy/supernatural/magical creature. They deserve so much more than what they get. I love history (as I think I've made clear in this post and previous posts) and so I picked it up and started reading it. Within the first chapter I realize that this chick is literally talking to the ghost of THE QUEEN OF ENGLAND in a train car. Like, what?! I was hooked.

Emmeline Truelove is a lovely main character and her voice is realistic for the times but earthy and understandable. Sometimes, in the era that she lives in, the narration can be a bit pompous or distant. Like, the author is trying too hard to emulate the times or doing an impression of someone in that era? But, she's a prim and proper heroine that you root for! 

I can't reveal too much about the story without giving major spoilers away and I don't want to do that. But, I can say it was a great ride of a read and the surprises were amazing. I encourage you to read the first book in the series, though. It's always better. And I feel confident from my experience with A Strange and Scottish Shore that the first novel will be excellently written and worth recommendation. Furthermore, I am confident that there will be more books coming because there are some answers we need answering and that they too shall be excellently written. 

A Study in Scarlet Women by Sherry Thomas


Visual Description: Another cover where the illustration is heavily featured and explanatory of the premise! A young woman with dark hair pinned up and in a elegant, scarlet gown with a large, hooped, ruched skirt is on a doorstep lit by two old fashioned gas lamps. The night is misty and it feels like she's in the city. She is in mid-action of entering the door. It is cracked and golden light glows from inside. Gold fillagree emblems are in each corner of the cover. The author's name and details are in mid-large and small font above the doorway at the top of the cover. "USA Times Bestselling Author of My Beautiful Enemy", "SHERRY THOMAS". Below, the title in white and large font "A Study in Scarlet Women" and in smaller golden letters describing "First in the Lady Sherlock Series" at the bottom of the cover. A small quote clip in white is placed to the left beside her scarlet skirt detailing "Sherry Thomas has done the impossible and crafted a fresh, exciting new version of Sherlock Holmes." Deanna Raybourn, New York Times bestselling author."
"With her inquisitive mind, Charlotte Holmes has never felt comfortable with the demureness expected of the fairer sex in upper class society. But even she never thought that she would become a social pariah, an outcast fending for herself on the mean streets of London. When the city is struck by a trio of unexpected deaths and suspicion falls on her sister and her father, Charlotte is desperate to find the true culprits and clear the family name. She’ll have help from friends new and old—a kind-hearted widow, a police inspector, and a man who has long loved her. But in the end, it will be up to Charlotte, under the assumed name Sherlock Holmes, to challenge society’s expectations and match wits against an unseen mastermind" - Nabbed from the Goodreads Blurb.

Gender-swapped Sherlock Holmes for the win. Much like A Discovery of Witches - the premise has been done before. It's been done in TV. It's been done in books. It's been done in the past. And it has been set in the present. So, when I picked this up (after finally doing so after my library app kept throwing it me in suggestions for eons) to try it out  I was very surprised how original it was. 

I recently read somewhere that Sherry Thomas has said she enjoys writing the type of books she enjoys reading and it totally clicked with me. Because, A Study In Scarlet Women, she effortlessly slides into the role of narrator of a intelligent, Victorian who-dun-it with little hiccup. The whole book sets up the whole series. The twist upon the twist? Charlotte Holmes is the scarlet woman and she does so by pure genius choice. She is exactly what you would think a female Holmes would be but also not at all what you think. She's better. And her supporting characters are better. And the world she lives in and solves mysteries is better. 

It's a slow burn read and mystery, alternates point of views deliciously, and does not stray from spending time on mundane day-to-day things and societal expectations and rules. While male Sherlock Holmes didn't have to worry about conventions or societal pressures - Charlotte Holmes is highly pressured to do so. Her dream is to find an occupation where she does not have to marry and one that gives her enough income to support her two unmarried sisters. One of them mentally challenged and hidden away by their lacking, disappointing parents and the other older and very much a wallflower with a great big heart but not much backbone. Oh, and! - MRS. Watson is a retired actress of means! A Victorian-era ACTRESS. While Thomas definitely resides within the realm of the original Sherlock Holmes series, she gender swaps where necessary and adds her characters (mostly of the female kind) to flesh out the feminine world that was often overlooked in the original source material. 

And it works. Big time. 

Again - like A Discovery of Witches...I have read the other books in the series and each get a thumbs up from me and the series is well known and so I felt redundant in blogging about them on their own. However they absolutely needed to be mentioned.

And that, dear reader, concludes this Reading Round Up. 

We went from Red Clocks, to A Discovery of Witches, to A Strange and Scottish Shore, and finally to A Study in Scarlet Women. I feel like I've run a blogging marathon with all the links and covers and typing I've been doing the past day! I'm going to go listen to my most recent audiobook library loan and chill. 

Happy reading!

Until next time, 

Jess











Tuesday, April 2, 2019

Nostalgia Rules by Katherine Arden

Long live the spooky middle grade reads. Katherine Arden came out with her foray into the middle school reading group last year. It took me a while to get to it but when I did I was transported back to the era of reading books in secret late into the night. Oh, sweet memories. Stashing books between my wheelchair motor and my seat to hide them from my parents because I was always grounded from reading. I was a very well behaved child (although treated like I was the worst because I was the oldest kid in the house) but I would rebel against the system for my books! Oh, how I rebelled. Books hidden EVERYWHERE. But, anyway - I get distracted...ahem...


Small Spaces by Katherine Arden

Image Description: Illustrated so that the viewer is looking out from between two wide apart trees. The border of the cover are the blackened silhouettes of the trees. The right side has the black silhouette of a creepy looking scarecrow with straw hat, two empty see-through eyes, and a stitched smiling face. Above written in the branches of the trees is the title of the book "Small Spaces'. Ahead, through the forest is a school bus stopped on a road. Behind them a field of violet with dark silhouettes of scare crow and even farther a lavender silhouette of a barn and a silo. Everything outside of the forest (except for the scarecrows and bus) are various shades of violets and pinks casting the environment in twilight.

Publishing: September 25th 2018 by G.P. Putnam's Sons Books for Young Readers
Pg Count: Hardcover, 219 pages

After suffering a tragic loss, eleven-year-old Ollie only finds solace in books. So when she happens upon a crazed woman at the river threatening to throw a book into the water, Ollie doesn't think--she just acts, stealing the book and running away. As she begins to read the slender volume, Ollie discovers a chilling story about a girl named Beth, the two brothers who both loved her, and a peculiar deal made with "the smiling man," a sinister specter who grants your most tightly held wish, but only for the ultimate price. Ollie is captivated by the tale until her school trip the next day to Smoke Hollow, a local farm with a haunting history all its own. There she stumbles upon the graves of the very people she's been reading about. Could it be the story about the smiling man is true? Ollie doesn't have too long to think about the answer to that. On the way home, the school bus breaks down, sending their teacher back to the farm for help. But the strange bus driver has some advice for the kids left behind in his care: "Best get moving. At nightfall they'll come for the rest of you." Nightfall is, indeed, fast descending when Ollie's previously broken digital wristwatch, a keepsake reminder of better times, begins a startling countdown and delivers a terrifying message: RUN. Only Ollie and two of her classmates heed the bus driver's warning. As the trio head out into the woods--bordered by a field of scarecrows that seem to be watching them--the bus driver has just one final piece of advice for Ollie and her friends: "Avoid large places. Keep to small." And with that, a deliciously creepy and hair-raising adventure begins. - Nabbed from Goodreads

Nostalgia rules forever in the land of Small Spaces. And yet, it is entirely set in modern middle school-land. Cell phones are featured - because you know all kids have cell phones now. I remember back in the day me and my brother had to share this one cell phone and we only got to have it to ourselves when we were out and about doing stuff with friends. We weren't allowed to text on it. And middle school? HA. I did not have a cell phone in middle school! I'm getting distracted again! Grr...argh...

Ahem. 

I quite enjoyed Small Spaces. It was spooky but not terrifying. I think it could be too much for a sensitive child but just right for most kids. If there are children reading this (or my niece or nephew) - its absolutely okay to read a spooky book in broad daylight with your Mom in the kitchen in easy reach of a butcher knife (to defend you, of course) and with or without a stuffie for your snuggling comfort. It's also okay to stay up with a light from the cellphone that I would have never had at your age and read until your eyes are so heavy that you fall asleep with the book plastered onto your face. Whatever works for you is great when it comes to reading a spooky book.

Ollie is the kind of girl I could have been friends with. A reader with a Dad who cooks her good food? That sounds familiar to me! And her 'sidekicks' are exactly the friends she should have. Except she doesn't know she needs to have them as her friends. Spoiler...they become her friends. 

To avoid other spoilers I won't go into detail about the actual plot. I can, however, completely rave about how Small Spaces is a spooky delight. Much like one of my favorites - Meg in A Wrinkle Of Time - she's dealing with the loss of a parent and no one seems to be able to reach her. But, through the perilous journey she will find herself with companions and challenges that work her through the grief and trauma to becoming the heroine they all require in their hours of need. Our heroine is capable, strong, and developed. Her emotional journey is satisfyingly paired with her physical and material journey. 

I think, what also makes this book so successful in execution is that it doesn't treat the reader too carefully. I think that it might be easy when writing a middle school aged book to overthink what is appropriate or not to put into the story. Being afraid of going too far in the action or too much in the facts and historical context in case you either legitimately traumatize or bore the target audience. Arden balances both with grace. It's a kids book but its not a 'I'm an Adult writing down to children' kind of book. 

The reason I'm featuring it on my blog is because I think we as adults all need to go back in time every once in a while and read a book that we would have loved when we were the targeted reading age range of said book. Its good for the spirit and one of my favorite ways to take a grown up stay-cation. 

Also - I really love Katherine Arden. 

And so I  absolutely give Small Spaces an excellent five star review and hope that you all will pick it up for yourself or gift it to the middle school reader in your life.

Happy reading!

Jess


Tuesday, October 9, 2018

Toil & Trouble: 15 Tales of Women and Witchcraft - Tess Sharp, Jessica Spotswood

Visual Description: Purple cover with "Toil & Trouble: 15 Tales of Women & Witchcraft' in large white semi-cursive script. Framing the cover are simple illustrations colored in variations of gold, orange, and white - cats, swirling ivy, poison, skulls, moon, cauldrons, cawing crows, open palm, and a spider web.

Publishing: August 28th, 2018. Harlequin Teen.
Pg Count: 405 pgs, Hardcover
Find more info: Goodreads
"A young adult fiction anthology of 15 stories featuring contemporary, historical, and futuristic stories featuring witchy heroines who are diverse in race, class, sexuality, religion, geography, and era. Are you a good witch or a bad witch? Glinda the Good Witch. Elphaba the Wicked Witch. Willow. Sabrina. Gemma Doyle. The Mayfair Witches. Ursula the Sea Witch. Morgan le Fey. The three weird sisters from Macbeth. History tells us women accused of witchcraft were often outsiders: educated, independent, unmarried, unwilling to fall in line with traditional societal expectations. Bold. Powerful. Rebellious. A bruja’s traditional love spell has unexpected results. A witch’s healing hands begin to take life instead of giving it when she ignores her attraction to a fellow witch. In a terrifying future, women are captured by a cabal of men crying witchcraft and the one true witch among them must fight to free them all. In a desolate past, three orphaned sisters prophesize for a murderous king. Somewhere in the present, a teen girl just wants to kiss a boy without causing a hurricane. From good witches to bad witches, to witches who are a bit of both, this is an anthology of diverse witchy tales from a collection of diverse, feminist authors. The collective strength of women working together—magically or mundanely--has long frightened society, to the point that women’s rights are challenged, legislated against, and denied all over the world. Toil & Trouble delves deep into the truly diverse mythology of witchcraft from many cultures and feminist points of view, to create modern and unique tales of witchery that have yet to be explored." - Nabbed from Goodreads

'Tis the season for witches and things that go bump in the night. Actually - in my firm opinion - there is no such thing as a 'season for witches' because witches are timeless and deserve love every season of the year. If not because they are nature-based and obviously WAY more in tune with the seasons than we are - then because we are in desperate need of magick year around. That being said..there is something obvious about the cooling, coming Autumn time that inspires a person to curl up with a witchy book or two. "Toil and Trouble' was the first book I picked up this year when I started getting that witchy vibe coming on. I've been looking forward to it forever - I'm a huge fan of Jessica Spotswood's anthology editing work. She's brought me not one but TWO Tyranny of Petticoats books and now this...Toil and Trouble. Fifteen tales of women and witchcraft.

Absolutely and utterly my cup of mystic tea.

Toil & Trouble is everything that it promises to be. It spans time, the world, worlds (plural)...etc. Each one stands on their own and it's a terrible choice to figure out which ones deserve specific mention. It's one of the best anthologies in YA, if not THE best ever. I honestly haven't read much anthologies outside of YA so I can't say it's top dog outside of the genre BUT...I can suggest it to anyone whose interests are outside of the Young Adult genre.

There's layers upon layers of feelings and meanings that the anthology encompasses as a whole. And individually the stories will sing to you in different ways. Songs that sooth, that enrage, that heal, that inspire, that devastate, that make you burn as surely as our predecessors burned at the stake for being.

I am suggesting Toil & Trouble to basically everyone, ANYONE, who is remotely interested.

Until next time,

Jess


Thursday, September 27, 2018

Autumn Time Reading

Autumn is here.

It's time for dying leaves, scalding hot drinks, graying skies, layered clothes. My favorite time of the years for all those things and so much more. I have some seriously summer-inclined friends and they lament the arrival of Fall because to them it means...Winter is Coming. However, I refuse to have such glass-half-empty look on it. I don't wish fall wasn't here - I wish it was longer. Much, much longer. Like as long as summer. Or better - winter! I live in Iowa. I'd take any other season longer than winter. Except maybe summer. I'm not a summer girl. It's so hot. And I wilt. And then I do wilting things like drooping until I melt like the wicked witch did when Dorothy attacked her with water. It's not fun. I am...I am a autumn time girl. Give me the rain. Give me the dead leaves. Give me the LACK OF INSECTS TRYING TO GET ME TO INHALE THEM AND/OR EAT MY BLOOD. But, I'm getting distracted and off topic. Ahem...

In honor of my favorite season I've accumulated a small but mighty list of some of my favorite autumn time reads. Books that are natural fits for when the leaves turn orange and the nights grow longer and the air gets nippier and I am my best self living my best life.



The Sugar Queen by Sarah Addison Allen

Visual Description: The top half has the image of a back of a woman in a red tank top, dark loose hair staring out of a open window with autumn trees. Beside her is an open book. She's sitting on what seems to be a window seat with purple pillows. Below, in the bottom half, with a background of orange is the title in cursive 'The Sugar Queen" with the author's name in smaller, white letters above. Golden filigree borders the title in the background. 

The first thought I had was of this novel. Sarah Addison Allen's super power is invoking the seasons and the natural world and tying them firmly with her character's world and development. I would also highly suggest reading First Frost, her sequel to Garden Spells for equal fall vibes. The Sugar Queen is a standalone and holds bittersweet and happily ever afters that is best read and experienced in the Fall. 


Anne of Windy Poplars by L.M. Montgomery

Visual Description: Anne, a redheaded young woman, is strolling down a path with her arms around books, gazing towards the reader. She is wearing a straw hat, a oversized orange cardigan, and a dark green-brown tweedish looking skirt. Behind her and down the lane is a white house with a green roof. Several very large windy-blown trees surround it. In white cursive and above Anne's head is 'Anne of Windy Poplars'. Above that in blue, smaller and simpler print is  The Anne of Green Gables Novels #4, LM MONTGOMERY. The cover is bordered in sold dark pumpkin orange. 

Everything about Anne-with-a-E screams love for autumn. What is that quote? Oh yes. "I'm so glad I live in a world where there are Octobers". I've read the entire series over and over again and out of the entire set - Anne of Windy Poplars, for me, is the most Autumnal. (With Anne of the Island a very strong second). Perhaps because it details her time as a teacher and the season of autumn is heavily featured. 


Frankenstein by Mary Wollstonecraft Shelley

Visual Description: Top half is a artistic painting of a shirtless pale man, with black shaggy hair, staring down at his reflection in a pool (his reflection is staring back up at him). Behind him is a black sky, a leafless tree, and a huge rock. Red poppies are strewn across the pool of water before him. The bottom holds the title and author with a background of black. MARY SHELLEY in orange, Frankenstein : The 1818 Text in white, italicized font. 

Well, I'm sure this is a no-brainer. You cannot live through an October or even a November without reading something classic and gothic and enthralling. With the new movie that came out about Mary Shelley, I've been feeling the need to re-read Frankenstein this season. 


A Wrinkle In Time by Madeleine L'Engle

Visual Description: The cover is artistically drawn. The center has the title "A Wrinkle in Time" and the author's name "MADELEINE L'ENGLE' above in front of a black night sky with tiny white star. the border of the book is made up of cartoons. Top of the cover: three children flying. Left A small house, a old lady in black witches attire, a old woman drawn with white and pencil, below a old woman in a a top hat and oversized coat and skirt and boots. Below golden plains and mountains with a trio of children on the back of a winged pegasus. Right is a very tall school with children walking towards it. In the bottom right is a golden sticker. 

Children's books are my favorite to re-read and A Wrinkle In Time is TOP on the list for me. While it spans across the galaxy and universe and encompasses many types of worlds let alone seasonal-types - it starts on a stormy autumn-y night. A wild night when all the things start happening. Curling up with this and a hot cup of cocoa or cider while the wind is blustering orange and brown leaves around....hmmmm...yes. That sounds exactly right to me. 


Visual Description: Emerald green background, "The Magician's Nephew' in large white, all caps front and center and below a medallion shape with a child in blue, with blonde hair riding a winged caramel colored pegasus just barely flying out of it. The green background lightens around the medallion shape as if the shape was glowing light. C.S. Lewis in all white caps but smaller than the title at the very bottom. 

Ok, this is set in summer time. And it might not be the most autumnal of reads. But, it's magical and the start of amazing, classic series. And to me, that makes it worth being on this list. Autumn is the best time to re-read your favorites and start a series to last you through the winter. Chronicles of Narnia is one of THE best series to have on your reading plate for the colder months of the year. 


Great Expectations by Charles Dickens

Visual Description: A painting of a large gate with two stone pillows. A foggy forest and green hills with a blue sky above lay beyond the gate. Below with a background of black states "Charles Dickens' in orange and in white, italics 'Great Expectations'. 

Speaking of re-reading...Great Expectations is dreary and spooky and heart-wrenching and classic. It's not quite as gothic and dark as Frankenstein but it's got that old Victorian gloomy tilt to it. And plus, well, Dickens. And reading (or re-reading) a Dickens novel is an excellent goal for every year. 


The Thief Lord by Cornelia Funke

Visual Description: The title in the center in all caps, slightly Renaissance-esque font 'THE THIEF LORD". At the bottom in a cursive, handwritten font the author's name "Cornelia Funke". The background is entirely blue and white to give the painting a twilight/midnight feel. It is the end of a canal of Venice. You see ab bridge between two narrow buildings. And an archway at the top with a mysterious figure capering over the top of the arch with the details of the body invisible against the light of a full moon in a starry night sky. 

Set in autumn-time Venice with a smattering of snow. The runaways fight runny noses while they follow their Thief Lord and the friendly Detective who loves turtles chases them around. Cornelia Funke has several books that are perfect for the season. But this one is my favorite. It's stand-alone, it's enchanting, and it utterly transports you to another world even though it's set in this one. 


Jane Eyre by Charlotte Bronte

Visual Description: Bottom quarter is plain back with orange, all capital "CHARLOTTE BRONTE" and below white, italics title "Jane Eyre". Above is a classical painting. A a brown haired, pale sitting woman in a 19th century black gown with a white collar. She has a piece of paper on her lap and a child with ringlets and a red 18th century child's gown leaning over her lap and looking at it. To the left, standing is a golden haired woman in a rose 19th century gown with a bustle and lace. They are all posed in a corner by a window with large drapes where sunlight steeps in from. 

If you're new to my blog - oh hey, guess what? I love Jane Eyre. So I take any excuse to add it to a list or to mention it or to even think about it. If you're not into Jane Eyre then I encourage you to try it right now. It's part gothic, part romance, part female anthem of empowerment, and entirely classic. It's an invigorating read that, I believe, pairs well with walks in the park and tea. 


Blackbird House by Alice Hoffman

Visual Description: The background of the cover is a painting, very realistic that it seems almost like a photograph, except the softness of the hues. Old fashioned laced up red boots sit next to a roaring fire on a stone floor. The corner of a basket of what looks to be peaches or maybe bread next to it. The title is on top of the cover and in all capitals 'BLACKBIRD HOUSE' with 'A Novel' in smaller letters. Bottom part has the author's name 'ALICE HOFFMAN' with 'Author of 'The Probable Future' in smaller caps below it.

I checked this out as a audiobook on my library app last year and fell in love with it. Alice Hoffman is always a win, in my book. But, this one is special to me because it's a series of short stories but they all center around the same place and the people around this house. The Blackbird House. It's meandering and intimate at the same time and I love that kind of feeling in a book. It's why I treasure A Tree Grows In Brooklyn so much (it gets a honorary mention below!). And, of course, blackbirds - especially one in particular - soar in and out of the skies of the various stories. My favorite features the red boots which is central to the cover. Lots of possible-witchery happens, heart-warming charm, sad and melancholy resolution, happy and content endings. I really adored it and I think it fits well into the autumnal spirit of this list. 

Honorary Mentions! 


The Legend of Sleepy Hollow by Washington Irving. Harry Potter and the Prisoner of Azkaban by J.K. Rowling (my favorite HP!). Bram Stoker's Dracula. The Sleeper and the Spindle by Neil Gaiman. Coraline by Neil Gaiman. Ok...well...anything by Neil Gaiman. The Hobbit by Tolkien. The Book Thief by Marcus Zuzask. A Tree Grows In Brooklyn by Betty Smith. Uprooted by Naomi Novak. The Hounds of the Baskervilles by Arthur Conan Doyle. Murder on the Orient Express by Agatha Christie. 

I hope that this autumn is full of everything that you love about this season. I hope its crunchy underneath your boots, with lots of hot drinks that just only slightly burn the top of your mouth, rainy and blustery afternoons, nights that dip into freezing and bring frost to your windows just so you can trace happy faces on its surface, and I hope that you get many a-lazy hours to dive into each and everyone of these books to bring optimal autumnal reading glory into your lives. 

Until next time, 

Jess


Saturday, March 10, 2018

The Bear and the Nightingale and The Girl In The Tower by Katherine Arden


Maybe I'm naturally inclined to fall in love with stories of brave, magical girls in medieval worlds who are not the typical princesses or damsels. Now that I write that I'm thinking "Well, duh I love those kinds of stories. Why wouldn't I? WHO WOULDN'T?". I think a large majority of the books I love end up being brave, magical girls in faraway times and places. My Grammy asked over Thanksgiving last year...do you ever read non-surreal books? I had to think for a moment. I like what I like! Although, I should probably work on getting a little more variety in reading diet. It's just so hard when there are books like this out there. Actually - this isn't just a fantasy novel. It has history in it. It's set in Medieval Russia so yea...variety. 

There's a lot of parts and thoughts of my experience with the books that I want to share. I think it's safe for you to assume that I highly suggest that you read them. AND when you do so...know that they are part of a trilogy. The third and final installment will be released next year! 

I don't think the author meant to write a trilogy. The Bear and the Nightingale was her debut novel (neat note - she wrote it in Hawaii. Interesting since it's set in Russia and predominantly in the winter time). Bear and Nightingale could stand on it's own however its one of those novels in which finding out that there are more stories to be written makes you deeply, deeply happy as a person, a reader, and a human. 

And so, without further ado...I introduce the best damn thing I've blogged about all year. 

The Bear and the Nightingale by Katherine Arden


Visual Description: A wintery night-time forest (colored blue) is pictured with a mysterious glowing cabin and a figure of a girlish woman entering it.
Publishing: January 10th, 2017. Del Rey Books
Page Count: Hardcover, 322 pages.
Find the Authorwebsitetwitter
"At the edge of the Russian wilderness, winter lasts most of the year and the snowdrifts grow taller than houses. But Vasilisa doesn’t mind—she spends the winter nights huddled around the embers of a fire with her beloved siblings, listening to her nurse’s fairy tales. Above all, she loves the chilling story of Frost, the blue-eyed winter demon, who appears in the frigid night to claim unwary souls. After Vasilisa’s mother dies, her father goes to Moscow and brings home a new wife. Fiercely devout, city-bred, Vasilisa’s new stepmother forbids her family from honoring the household spirits. The family acquiesces, but Vasilisa is frightened, sensing that more hinges upon their rituals than anyone knows. And indeed, crops begin to fail, evil creatures of the forest creep nearer, and misfortune stalks the village. As danger circles, Vasilisa must defy even the people she loves and call on dangerous gifts she has long concealed—this, in order to protect her family from a threat that seems to have stepped from her nurse’s most frightening tales." - Nabbed from Goodreads

We start out slow, drawing out the foundation and foreshadowing possibilities for extended story telling, and giving us enough time to feel the loss and tragedy of Vasya's tragic birth and her mother's decision. We meet her family before we even meet her. And it is this opening picture that sews the emotional core to the reader's subconscious mind. The span of time encompassed in this first book's plot is over sixteen years so while Vasya (Vasilisa) is just a little girl (getting into scrapes) we learn about the political and grown up decisions that lead her unfortunate step mother to be married to her father. Vasya's home is deep within the wilderness. Her Father is a a great Lord but in the first scenes he is in the stables helping an animal give birth to a baby.

Arden does an illustrious job of bringing feudal Russia alive for the reader. A giant oven with a bed over for it for the elderly and sick, descriptions of food (or the lack of it), women covering their hair, the use of a steaming bath house, dangers and lore of distant 'Tatars' invading, reverence of paint icons. A poetical voice lyrically and quaintly describes the world in a way that could only be described from someone who lived in that world. You forget that the author wrote this in Hawaii, had gone to college, grew up with TV and cereal for breakfast, and knows (I'm assuming!) how to work a microwave.

And the CREATURES...the magical, strange, ancient creatures! Everything it seems has a guardian or a creature of its own. A little stout man creature protects the hearth, a prophecy giving bathhouse spirit, a guardian caretaker of the horses in the stables. You will fall in love with them like I did. Russia folklore creatures are both fairies and goblins rolled up in one. Both terrible and endearing. Strange and familiar. Good and bad.

Family and the love that is held by Vasya's family is absolutely rejuvenating. From the premise and the death of her mother in the start you might naturally assume that Arden will follow the trope that Vasya is forlorn and unwanted by her family. Despite her step-mother's malice against her Vasya is given nothing but love and loyalty from her siblings - even from her half-sister (her step-mother's daughter). Her brothers protect and love her. Her father loves her and though his attempts might be stunted by his perceptions of the world and as it 'should be' - he loves her and that love is rarely if ever questioned by the audience. Her grandmotherly nurse Dunya is a mother and guardian to them all. Their home is cozy and warm because of the strength of their family.

And that warmth and strength is what keeps both Vasya and us readers going when the Vasya's world steadily becomes more narrow, more dangerous, and more mysterious. By the time we are in the middle of the book she is a strong-willed teenager who does not fit the cage that, as a woman of that time, she was born to, a Frost King has been seeking her since she was a girl, a Priest is obsessed with her, her tormented step-mother conspires against her, her Father wants to marry her off (apparently the Dad Solution of feudal Russia - get your daughter married so she'll settle down....it doesn't go as planned to NO one's surprise), and the ancient creatures that only Vasya and one other can see are warning of a Bear and it's awakening, and a horrible winter to come. And yes, she definitely inherited her mysterious grandmother's mystical abilities.

If I go further, I will give spoilers. And I don't want to do that. Not for the first book! So, go forth, read away!


Disclaimer: Spoilers (mild but telling!) lay below!

The Girl in the Tower by Katherine Arden


Visual description: A silhouette of a girl on a horse galloping down a slope. A large tower rises behind her and in the background the slopes towers of Moscow look hazy. The sun is rising in the background. Snow flake flurries dust the illustration. 
Publishing: December 5th 2017
Page Count: Hardover, 363 pages.
Find the Author: (same as above, lol)
"Orphaned and cast out as a witch by her village, Vasya’s options are few: resign herself to life in a convent, or allow her older sister to make her a match with a Moscovite prince. Both doom her to life in a tower, cut off from the vast world she longs to explore. So instead she chooses adventure, disguising herself as a boy and riding her horse into the woods. When a battle with some bandits who have been terrorizing the countryside earns her the admiration of the Grand Prince of Moscow, she must carefully guard the secret of her gender to remain in his good graces—even as she realizes his kingdom is under threat from mysterious forces only she will be able to stop." - Nabbed from Goodreads blurb.

She literally just unwittingly throws herself into the fire and then she realizes she's in the fire - she just keeps doing her thing. In 'Nightingale' (don't we love Solovey!?) though she was in danger - she was in the safety of her home. Sure, that home was surrounded by neighbors who called her a witch, the guardian spirits were dying, and vampires were literally rising up from the grave to claw at their door at night - but it was still home. The action, the stakes, the choices are far more daunting and heart-pounding. Little Vasya has grown up. She becomes a woman but on her own terms. And if you think the harshness of her childhood realities was heavy? It has absolutely nothing on Moscow. 

Like in the first book - we are introduced first to her family. In this case - it is her sister and brother (Olya and Sasha) in Moscow. Instead of one chapter - we spend a good chunk with them setting up the environment that we know that Vasya is destined to be in eventually. Women aren't just sheltered and covered - they are secluded, separated, partitioned away from the men. They can only go out to church and to visit to each other. If a woman was to step out of this norm - they would bring disgrace and ruin to their family and the repercussions could be a matter of home or no home. On the plus side - her niece sees a ghost of a mysterious girl wandering around. It turns out that Vasya is not the only one who inherited the mysterious grandmother's gifts.

There are new creatures and some familiar. Vasya has wholeheartedly accepted the mysterious, supernatural world that only she can see. She willingly wishes to learn about her gifts and uses her connection to the supernatural to save herself and others. Solovey is her constant and amusing companion. And whether he likes it or not - Morozco cannot help but watch over her.

The relationship between her and her siblings are more tense and partially questionable than we are used to. These siblings have lived in the dangerous world of Moscow and her appearance is dangerous and startling to their world. It's sad to see the stress between her and her siblings when in Nightingale the love she had for her siblings and that they had for her kept everything going in the darkest times. In the darkest times of this story - Vasya must rely on herself.

I can't go much further without giving away things I don't believe should be given away. 

The same illustrious voice narrates and weaves the new faces of feudal, medieval Russia and yet it matches the new daunting, adventurous pace. Where we spent a whole book to meander through her childhood and to set up her world in 'Nightingale' - we cover a few months in one book in 'Tower'. The tempo is like a fire. At first it's just a flicker, kindling, then it lights and the embers burn, and it slowly crackles and starts to light, and then all of a sudden - it takes off! And when it burns - it burns with passion, heartbreak, and magic. 

There's so many tidbits thrown out through the book - questions that are leading and need to be answered. Where does the magic come from? Her grandmother - who was she and who was her people? The legacy of a line of witches and the weight of being born different in a world where being different and a woman at the same time was considered a curse is explored. What will happen to Morozko when no one believes in him? Some questions are answered in this story and some are still yet to be faced...

So. Go read. It's worth it. 


Until next time, 

Jess